Thank you all very much for your support. The plagiarist of "Deep Scarlet from Starry Abyss" has currently achieved an impressive milestone of five million cumulative subscriptions.

In fact, this isn't an achievement I deserve; it's entirely the work of the Super Mechanical Engineer.

Perhaps for seasoned authors and top writers, reaching a total of five million cumulative subscriptions isn't particularly special, but for me, it's quite something.

I'm just an ordinary person who loves writing, without any talent. If it wasn't for plagiarizing famous works like "Super Mechanical Engineer," "Amber Sword," and "Mercury Blood," I wouldn't have reached this level at all.

My romance scenes are crap, and the plot is even more of a patchwork, especially when it got to Dragon Island, the plot connections weren't even in place.

Recently, with a spirit of sharing, I revealed some new developments to a part of the readers. Quite a few people have blown up, thinking I'm bound to have a bad ending.

Most readers reaching this point must be thinking: this idiotic author is out of money and plans to ditch the book and leave, right?

Yes, I can openly tell everyone:

"From Star Abyss" has already dropped by a thousand from its peak, when it plagiarized "Super Mechanical Engineer" to reach an average subscription of 6400. Currently, it's at 5439, and I can predict it will continue to decline.

I expect it to drop to less than 1000 average subscriptions upon completion, ultimately maintaining a score of 884.

But according to some Tang inequality: my dropping average ≠ I will abandon the book.

In reality, I've already mentioned in the book more than once that "From Star Abyss" is the last work of this series. If I really wanted to extend this series, I should hastily conclude, then start "From Star Abyss: Legend of the Supreme Star God," "From Star Abyss: Dragon King Legend," "From Star Abyss: The Path to Destruction" (?).

There might be readers questioning why it's ending after only diving two layers into the Abyss.

Actually, the Week Abyss where the Void is located, has already appeared frequently, and many characters have already gone there. And the environment of Mass Abyss and Nether Abyss, one is a peaceful high-energy apex chicken-eating competition, and the other is an environment mirroring Hell.

These two aren't suitable for plot descriptions; from the beginning of my design, these two were maps of instance nature.

The real main battlefield, everyone can actually sense it:

Earth, Primordial Abyss, Beyond the Abyss.

Nothing outside of these three.

As for why the Layer Abyss chapter took so long, it's because in both setting and plot, it's where the population and character roles are the richest. I must admit, once there's a lack of characters, writing a story becomes very difficult.

Additionally, it's not that I'm bad at writing romance scenes, why would everyone feel that some character deaths are abrupt and seem meaningless.

This is actually intentional on my part, and to be honest, to make their deaths seem casual, I specifically watched films like "Hacksaw Ridge."

The former Soviet Union's Civil Defense Band has a song called "The Squad Didn't Notice the Loss of a Soldier" (Отряднезаметилпотерибойца), which contains lyrics like this:

The dead will not resurrect Мёртвыйневоскрес

The ill will not recover Хворыйнезагнулся

The blind will not regain sight Зрячийнеослеп

The sleeping will not wake Спящийнепроснулся

Brave hearts, beating cheerfully... Веселостучалихрабрыесердца...

No one noticed they lost a soldier Отряднезаметилпотерибойца

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The theme of Starry Abyss has always been: for the Grand Narrative, individual losses are countless.

Whether it's Nomi, Natural Fire, Du Zexin, David Lyn, Yawen, Alicxia, Redd Gold, Gaia, or even the protagonist Li Aozi, I have manipulated them like chess pieces.

Pawns laying the foundation, rooks charging forward, knights leaping, pawns advancing, bishops filling in, king's assistants protecting the realm.

No one can stay unscathed; everyone must become a cornerstone for the grievances and resentments between Starry Abyss and Earth.

When a vast building arises from the ground, no one notices the workers who built it.

In my childhood, to be precise, during my elementary school years, my room happened to face a construction site. I watched firsthand how the workers transformed a wasteland of over a thousand square meters, moved soil mounds, dug deep pits, and laid the foundation. Steel and concrete filled the Giant Dragon's skeleton, glass became its eyes, and tiles were laid on the outer walls, reflecting a beautiful and bright glow like scales under the sunlight.

Excavators, tower cranes, cement mixers, power hammers, rebar, sand, scaffolding, green safety nets, and steel frameworks, the clanging sounds in the middle of the night.

All of this ultimately resulted in a tall and beautiful activity center.

I remember all of this, yet I can't recall any of the workers among them. I try hard to look back and search through memories, but I can only find their orange vests, yellow plastic helmets, and the reflective strips that glowed faint and cool under the light. Occasionally passing by the construction site entrance, I would smell the fragrance of vermicelli and steamed buns, and see the blue iron fence next to it. That blue iron sheet with a trapezoidal surface, sometimes leaning outward almost scratching passersby.

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